Sunday, 28 December 2014
Man Talk 28th December 2014
Monday, 22 December 2014
Film Review - Starred Up
The Best And The Rest - The Movies Of 2014
With the awards season just around the corner, now seems a good time to think about my personal favourite movies of the year and those I wished I hadn’t bothered with.
2014 seems to have been a vintage year for quirky, interesting and independent films.
Richard Linklater’s Boyhood has to be amongst the favourites when this years awards are given out. This truly was a labour of love for the director and his loyal cast. Filmed for over ten years, it charts the real time life of Mason played by Ellar Coltrane and his family. To keep both cast and story together over such a period deserves recognition, and I expect it to be on lots of people’s favourite films lists this year.
The next movie on my list is The Grand Budapest Hotel. Over the course of a year, gems like this one can be forgotten, so it’s important I give it true recognition here.
Director Wes Anderson is renowned for his off beat film choices. From his early works, such asRushmore (1998) and The Royal Tenenbaums (2001) to Fantastic Mr Fox (2009). Anderson never fails to delight and surprise with his work and The Grand Budapest Hotel is no exception. A tale bordering on comic farce and his A- list cast have all bought into this slice of gothic madness. And in particular, Ralph Fiennes, who’s comic turn as the ‘Hotel Concierge’ is a treat.
One young British actor has been making a name for himself this year and he is now tipped for great things; his name is Jack O’Connell, He starred in two of my favourite films of the year. First, in the brutal prison drama Starred Up and then as the young recruit caught up in ‘troubles’ in Belfast, in the terrorist thriller ’71.
Another independent film which was a favourite of a lot of people this year, was Calvary, starring Brendan Gleeson. This too, was an off beat story set in rural Ireland. Gleeson played the village priest who receives a warning that he was about to be murdered. This was not so much a whodunit, as who’s going to do it.
American Hustle was one of the few ‘big’ budget movies of the year that lived up to my expectations. Bradley Cooper and Jennifer Lawrence certainly deserved all the plaudits and awards for their performances.
Amongst 2014’s much hyped blockbusters were: Interstellar, Spiderman 2, and the final installments of ‘The Hunger Games’ and ‘The Hobbit’. None of which lived up to expectations despite the big bucks lavished on them.
Hollywood embraced the ‘Chic Noire’ trend this year with two big budget movies. Unfortunately neither delivered. Nicole Kidman starred inBefore I Go To Sleep and Ben Afleck in Gone Girl. Both were good in parts, but ultimately a disappointment. Thebest trailer of the year had to the one for Rise of the Planet of the Apes. It promised so much, but sadly the trailer revealed far too much of the plot and ultimately, after the first few scenes, lost its originality.
However, Fury, starring Brad Pitt, was a gritty realistic war drama, that delivered. And so did the British code breaking drama, The Imitation Game. Its stars, Benedict Cumberbach and Keira Knightley, played their parts as stiff upper lipped Brits to perfection. Furthermore, St. Vincent, starring Bill Murray and Melissa McCarthy, was a warm comic drama that was a joy to watch.
Other well received British films this year include Mr. Turner, staring Timothy Spall, and Belle, the period drama, which has been receiving great acclaim for its original storyline.
But perhaps the surprise hit of the year was Pride, the true story of a gay and lesbian collective who helped a small Welsh village during the 1984 miner’s strike. This warm and uplifting tale is being tipped as an outsider for major honours, having already been recognised at some early awards ceremonies.
2014 may not have been the blockbuster year some studio executives may have hoped for, but for the small independent film makers it has been a triumph, and proof, if need be, that the small low-budget movie has a willing and appreciative audience.
Sunday, 14 December 2014
Man Talk 14th December 2014
Wednesday, 3 December 2014
Film Review : St Vincent
Sunday, 30 November 2014
Man Talk 30th November 2014
Have you ever been a victim of 'Man-spread' the increasing problem of men hogging seats by sitting with their legs spread to far apart. It's becoming such a problem on the New York Subway that they are starting a poster campaign to discourage it. However your native New Yorker isn't taking this problem sitting down. Now an alternative campaign to promote the benefits of 'spreading the Load' is being launched. who knew that their is medical benefits to sitting spread eagled as they say,in fact sitting with legs squeezed together is bad for you they claim. maybe to avoid complaints you should just get yourself a doctors note.
Let's do 'Munch' or the increasing trend amongst men of getting together for lunch . Well if it's good enough for the girlies and for the David Beckham set. Sound much more elegant than - 'I'm going for a pie and a pint'
Sex symbols come in all shapes an sizes. Take Eric Pickles for example this cabinet minister is a pin up boy in Siberia of all places. He gets so many requests for photographs. He's told his cabinet office to ignore them and throw them all in the bin. Maybe Siberian women like their men with a bit of meat on them, in which case Eric certainly fits the bill!
Sitting in my dentists waiting room the other day I was flicking through a magazine then noticed it was from 2010, when I checked the pile the other mags where from the same year . Couldn't believe it. It was like taking a step back in time unfortunately my dentist wasn't as nostalgic and still charged me 2014 prices. Next time I think I'll ask him to give my credit card an anaesthetic as well, to numb the pain as I hand it over to pay!
You know the saying he's 'talking out his backside ' well soon you may actually be able to play music out of it. A Spanish audio scientist has developed a way of using the natural rhythms of your body to broadcast musical sounds he uses an audio player connected underneath a bicycle seat as an example. The sound vibrations generated travel up through your body which act as the speakers. Just hope he doesn't hit any bum notes.
Saturday, 29 November 2014
NYC Get tough with 'ManSpread'
Monday, 17 November 2014
America's Love Affair With The British Class System
America – often thought of as the land of opportunity, a society that likes to think of itself as classless, a country that has welcomed the poor with open arms and huddled masses, escaping tyranny and persecution. So why, oh why does ‘The Land of the Free’ have such a fascination with Royalty and Britain’s Class System. To put it bluntly, why exactly do Americans love a bit of posh?
It was, after all, the oppression of a British monarchy that they fought a revolution over, and yet nearly two hundred and fifty years later they are prepared to queue for hours and travel unimagined distances to welcome back the Future King William, and his ‘princess’ Kate.
Such is the American fascination with our royal family that they generate as much TV air time and column inches of press as the closest thing to American Royalty the Obama’s.
Perhaps the American love affair with their British heritage was rekindled by Princess Diana. She truly was a fairytale princess in the eyes of the American public. She captivated the then President Reagan, and became a friend of the Hollywood A – list, who next to her melted into insignificance. Her tragic death only heightened her popularity, and the myth of Royalty became cemented by her two sons whose lives have been meticulously documented as they grew from boys to men.
The Queen, her castles, and the historic nature of royalty and the respect it endures in Britain seem to have rubbed of on its distant cousins across the sea, who sometimes treat our Royal family as if it were their own.
And it’s a love affair that has permeated down through Britain’s Class System. The TV series Downton Abbey is welcomed with as much anticipation as any home grown TV programme. Lord and Lady Grantham and their aristocratic brood, although only actors are treated with the same difference and respect as any authentic ennobled family.
America unquestionably loves Britain’s Class System, and if it were to be put to a vote as to whether they would welcome their own Royal family or even a branch of our own, it would certainly give freedom and independence a close run for its money.
Here in the UK we have our own love affair with royalty, but ours is far more selective. We can extend our unqualified respect and loyalty to the queen and the immediate Royal Family. Beyond that we become far more cynical. In America they are far less discerning and pushy princesses and wayward butlers are received with open arms, in the highest circles.
Our own love of the brusque tones of a native New Yorker is matched by their own passion for a posh plummy accent. That British stiff upper-class tone, mastered to perfection by current Hollywood favourites Keira Knightley and Dominic Cumberbatch, is much in demand for the more serious film roles.
Whilst Hollywood and its cast of homegrown stars may excel in producing many genres of movies, it turns to Old England for its period dramas. Nobody can do gravitas like a former Shakespearian player. It’s the Old Etonian or the ‘Oxbridge’ graduate they turn to in order to carry a costume drama.
Here we may resent the posh boys and the class system. In the U.S they positively welcome it. Being Posh lends itself to so many roles. From the ‘Expert’ to the ‘Baddie’ or the ‘Evil Genius'; having a plummy accent is a welcome addition to any cast. The ‘titled’ Lord or Lady is always a symbol for wealth and power, and the ennobling of an actor with a ‘Sir’ or ‘Dame’ only adds to their box office appeal.
Producers such as the Weinstein’s recognise the attraction of a British based storyline when you’re hunting for award winning opportunities. Multi Oscar winner The King’s Speech, and the current much heralded Imitation Game, rely heavily on the clichéd ‘Englishness’ of its cast.
It’s hard to believe that once upon a time being considered posh was a negative attribute. Now it’s positively encouraged. Being royal, well-educated or just plain posh is becoming a valuable asset. Having been Made in Chelsea may not be a guarantee to success, but it certainly helps especially if your trying to make it in America.
Sunday, 16 November 2014
Man Talk 16th November 2014
Very British gangsters – The Peaky Blinders
Very British gangsters – The Peaky Blinders
Credit to the BBC for commissioning and then sticking by their 1920’s based very British gangster series ‘The Peaky Blinders’
Imagine sitting at the commissioning meeting and the producers having to begin their pitch by explaining how they came by the title. – How it comes from the name of the Birmingham gang that acquired a reputation for using a razor blade hidden In the ‘peak’ of their caps, and how, in vicious street fights. They would use the blade to slash opponents.
You might expect that in these politically correct times, at this point most commissioning execs, would make a polite excuse and withdraw. but wisely they stuck by the producers, and here we are with season two just finished and an eager audience crying out for a date for the next instalment.
When you think of the BBC’s drama output, a 1920’s Birmingham street gang isn’t a natural fit. But such us the quality of the storyline and it’s originality, it attracted a Stellar cast. The star of Jurasic Park Sam Neil, and a pair of Batman villains Ciilian Murphy and Tom Hardy give the series it’s Hollywood edge. Neil in particular brings real menace to his role as Major Campbell the shadowy police officer.
But it’s Murphy as the Machiavellian Tommy Shelby who holds the series together. Set against the backdrop of the end of the First World War and the beginnings of the troubles in Ireland. It’s Shelby who fights to hold his family and it’s ‘businesses’ together. Scarred by the war but emboldened by his survival of it. The story revolves around Tommy’s plans for the future and every gangsters dream, to make their business ‘legit’
As the Shelby empire has grown so has Tommy’s ambition. Plans to expand the family empire into London gave the script writers the opportunity to introduce some new characters. And none bigger badder or madder, than ‘Alfie Solomon’ played by Hardy. He was an inspired choice. An over the top performance that added another level of violence to an already blood soaked storyline.
Gangs seperated along racial and ethnic divides where a theme of the series the Catholic IRA, The Shelby Gypsy connections and the Italians and the Jews who ran London.
Against this melting pot of crime, a corrupt police service paid lip service to the highest bidders. Whilst Neil’s Major Cambell was as viscious and violent as any of the criminals, his intentions had its own corrupt authenticity. But in the end even he divided his loyalties along sectarian lines, with his aligance to the Protestant Red hand of Ulster.
The series had the murder count of any of its Hollywood counterparts The Sopranos or Boardwalk Empire, but upped the graphic death rate in this series.
Some of the features of ‘The Blinders’ that gives the series it’s gloss are the costumes and settings. The production costs must have been a huge part of the budget.The styling is first class, from the swagger of the men’s suits, to the authentic cropped haircuts. It’s the attention to detail that grabs you. Set that alongside the locations and backdrops and you have the foundations of the series success
The producers haven’t pandered to an international audience and all the characters adopt accents particular to their heritage. From the broad ‘black country’ accent of the Shelby clan. To Major Campbell’s broad Northern Irish brogue.
It’s been a sumptuous production that deserves all its applause. But with the characters all established now, the problem for the writers is how they take the series forward for a third instalment. The cast as much in demand for the big screen as their work on the Blinders, and assembling a cast of this quality could be problematic.
Like so many series that end leaving us wanting more, We’ve become accustomed to rushed new episodes to meet demand. Producers fall into the ‘casualty’ scenario the BBC medical drama where episodes become formulaic and predictable. What was fresh and original had becomes stale and uninspired.
A Series like ‘The Peaky Blinders’ has introduced us to a whole new genre of british gangster. We have until now associated that era with American Criminals such as Al Capone. In Thomas Shelby we have our own gangster number one.
The writers now have to pull off the trick of keeping the originality of the series and the freshness of the story lines, no easy task, but we live in hope and await the difficult third series with baited breathe.
Wayne Rooney: The Footballer the Fans Love to Hate
For every footballing hero there’s just as many villains. Those pantomime soccer-bad-boys who rather than cheer at, we jeer at, every time they touch the ball.
The former Liverpool, now Barcelona player, Luis Suarez is universally disliked for his on field activities and would probably be described by most fans as a ‘cheat’, and nobody likes a ‘cheat’ in sport. Any kind of bad sportsmanship in the heat of battle, never fails to bring out the worst in the fans.
The beautiful game has never been short of players, who (for what ever reason), we just don’t like. Every club has it’s villains, but it takes a special kind of badness, or madness, to gain universal displeasure.
Suarez’s actions could be blamed on his Latin temperament, but the fans reaction, Latin or not, is typical. It generates the same passionate response as the love/hate relationship they have with our own Wayne Rooney.
Rooney became ‘Public enemy number one’ for Everton fans, after they claimed he betrayed the club he always supported, and joined one of their bitter rivals Manchester United.
Fans believed he’d pledged his loyalty to the blue half of Merseyside. A footballing prodigy gifted and talented. Identified at a very young age as being a ‘special player’ with a huge future. Photographs of him in his now infamous ‘Once A Blue’ T-shirt hung pride of place in many a blue household, as was the optimism he instilled in the Everton fans. His subsequent transfer turned him into a hate figure overnight in his home town.
His move to Manchester was no bed of roses. He took a long time to win over his new clubs supporters, despite his obvious talents. A deep rooted dislike of ‘scousers’ only drew a begrudged appreciation of his skills.
Rooney has spent all of his footballing life in the spotlight. A precocious young talent, his strength and skills became apparent early on. He made his debut in 2002 for the team he has supported since childhood. He claimed that joining Everton football club was all he ever wanted. The fans rejoiced at having a home-grown superstar amongst their ranks. When he left the club in 2004 it was like a dagger to the heart, it made no difference that his leaving was to join one of the biggest clubs in the world.
Still only eighteen, the reported twenty million pounds transfer fee was a welcome windfall for a debt ridden club, but did little to appease the angry Everton fans who believed Rooney’s departure was driven by greed and was a slap in the face for those who believed he could have been the catalyst the club needed to take it back into the big time.
Rooney quickly repaid his huge fee to his new paymasters by helping them gain further honours including the Premiership title, and a Champions League final.
Rooney also established himself as a regular in the England team, and achieved the most prestigious of prizes, being both Manchester United and England captain. He also continues to re-write the record books, becoming Manchester United’s leading goal scorer of all time and is now only a few goals short of achieving the same distinction for his country.
Not a bad achievement for the lad from ‘Crocy’ and yet those achievements carry little weight with the fans. He is still the subject of the most extreme abuse, both on and off the pitch.
The question is: Why does one footballer generate so much hostility? Could it be many see him as a footballing child prodigy that showed so much potential, so much passion, yet wasted his opportunities? A catalogue of indiscretions have infuriated the fans. From Holding his boss at Manchester United, the formidable Sir Alex Ferguson, to ransom for a pay rise and getting it, and being acclaimed as the champion who would deliver Everton out of the shadow of their more successful rivals Liverpool to then walk away. He is pilloried for letting down his country with to many poor performances for England, and then exposed by the tabloids after his reported affair with a prostitute.
For all these sins some fans can forgive but the majority cannot forget. Such has the press hammered on his failings; he’s long lost any quest for redemption. The most he can now muster from fans is a grudging respect for effort and for some outstanding goals.
As a footballer, he is an enigma. He would be on every managers wish list. His skills, his strength, his commitment. They all want a Rooney in their team. Unfortunately the fans don’t.
Maybe Rooney was a star who peaked to soon. Maybe it’s his surly arrogance the fans don’t like. Or perhaps it’s just because he isn’t in your team. Fans will forgive you anything if you play for them. Look at the devotion Liverpool fans heaped on Luis Suarez.
Sadly, today’s modern footballer is expected to talk as good a game as he’s expected to play it. Personality and good PR are key to a players perception. Maybe that’s where it went wrong for Wayne.
Who knows, If he’d done a little less’ kissing and dissing’ the badge, and a little more kissing the babies, ‘Wayne’s World’ might be a totally different one.
Film Review - Nightcrawler
Sunday, 2 November 2014
Man Talk 2nd November 2014
Tuesday, 28 October 2014
Film Review - Fury
Friday, 24 October 2014
Review – Hamlet at the Royal Exchange Theatre Manchester
Film Review :- Gone Girl : We need to talk about Amy
God only knows - The Beach Boys it's a love hate affair
Book review - Going To Sea In A Sieve
Award-winning broadcaster Danny Baker’s first novel is a stroll down his own personal memory lane. Now an award-winning radio presenter, his back catalogue covers the glam rock scene, the birth of Punk rock, the heyday of music journalism, and the start of ‘yoof’ TV. It’s a flavour of his part in it all, and like a late 70’s Zelig he bares witness to the events.